I have been absent lately. I’m sorry. But I’m going to try and write more again, and the first thing I’ll do after my brief hiatus is one of my favorite types of posts: a bad movie idea.
You see, I have this super power that allows me to quickly turn most anything into a really awful, yet awfully believable, movie idea.
A bad movie post is also very appropriate because last year I made four very beautiful (and disturbingly realistic sounding) bad movie ides for the holidays. This time, there is no theme besides being a movie that is sad and sadly realistic. I give you
This Town Isn’t Big Enough
Raymond Eugene Cornelius (working name, I’m sure producer’s would want to pick something sexier) is a happy-enough New York man who is average in most every way; he’s in his late 20’s, been through some relationships he views with a mix of nostalgia and slight pain, works a decent job that affords him enough to survive and, occasionally, indulge. The only thing that seems to set him apart — and something he prides himself on — is his name, which is unique from start to finish.
Or so he thought.
One day while joking with a friend, he decides to google himself. Only when he googles “Raymond Eugene Cornelius” the person who comes up isn’t him; it’s another man located just north of New York. This other Raymond is a few years older, with a life that sounds more exciting and — gasp! — unique.
The discovery of this second, and in some sense original, Raymond Eugene Cornelius throws our protagonist into a spiral of depression and shame. The thing he had prided himself about most was his name, his very identity, and now he has discovered that someone else has possessed this aspect of him (and more) his entire existence. In a way, his being is a shame. So, of course, he decides to take action.
He decides the other Raymond Eugene Cornelius must die.
Raymond 1 travels to this other city and stalks Raymond 2, planning what he’ll do to this man who has stolen so much from him — only to discover the man he has come to kill is, by all accounts, a great person. Raymond 1, using an alias, befriends Raymond 2, and slowly learns his nemesis is a pediatrician who volunteers at the local homeless shelter and is a devoted single father of two. Suddenly, Raymond 1’s plans are thrown into chaos as he realizes he loves (whether platonically or romantically will depend on whether the Director wants an Oscar or not) Raymond 2, the man who stole his identity.
Raymond 1 battles his feelings, but eventually he decides he can live in the shadow of this other man, and if he wants to be an individual he should strive harder.
Unfortunately, the world has other plans.
In the climax of the movie, Raymond 1 is confessing his story to Raymond 2, who is shocked but also expresses how he reciprocates Raymond 1’s feelings; he says that, even though Raymond 1 only associated his uniqueness with his name, he possesses so many other virtues (which I haven’t really figured out yet, as the basic plot makes Raymond 1 pretty blatantly a psychopath). Raymond 1 flees afoot, ashamed, and Raymond 2 follows. As Raymond 2 is in the crosswalk, he hears a horn and the sound of wheels turning that he had missed: a semi-truck is coming! Raymond 1 turns back in time and observes the danger his friend is in, and desperately pushes Raymond 2 out of the path of the speeding vehicle.
Raymond 2 recovers from his fall and goes to Raymond 1 (this is getting confusing), finding Raymond 1 is dead.
And so it goes that Raymond 1 dies saving the man who, until that moment, he had blamed for his lack of identity, and, for the first time since Raymond 1’s birth, the world does indeed only have a single, unique Raymond Eugene Cornelius.
And hey, maybe this sounds a bit ridiculous, but I want you to think: is this more ridiculous sounding than movies like Her, about a man who falls in love with his phone’s OS, which is getting a number of prestigious nominations? Really? Not really!
Spike Jonze, I look forward to your call/email/hastily scribbled post-it note asking me to be your new idea guy.